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      <image:caption>Salon Amsterdam, Galerie Caroline O'Breen, 2026</image:caption>
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      <image:caption>Paris Photo 2025 with Caroline O'Breen</image:caption>
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      <image:caption>Paris Photo 2025 with Caroline O'Breen</image:caption>
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      <image:caption>Paris Photo 2025 with Caroline O'Breen</image:caption>
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      <image:caption>Thuis, Rembrandthuis 2025, photo credits: Aad Hoogendoorn voor Museum Rembrandthuis, Amsterdam</image:caption>
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      <image:caption>Thuis, Rembrandthuis 2025, photo credits: Aad Hoogendoorn voor Museum Rembrandthuis, Amsterdam</image:caption>
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      <image:caption>Thuis, Rembrandthuis 2025, photo credits: Aad Hoogendoorn voor Museum Rembrandthuis, Amsterdam</image:caption>
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      <image:caption>TU Delft campus, 2025</image:caption>
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      <image:caption>TU Delft campus, 2025</image:caption>
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      <image:caption>THEN / NOW / NEXT, Galerie Caroline O'Breen, Amsterdam 2025</image:caption>
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      <image:caption>Schiphol Commission, agency WINK &amp; Unchain the Tiger, 2025</image:caption>
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      <image:caption>Schiphol Commission, agency WINK &amp; Unchain the Tiger, 2025</image:caption>
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      <image:caption>Schiphol Commission, agency WINK &amp; Unchain the Tiger, photo by Joris Bruring, 2025</image:caption>
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      <image:caption>Kunstuitleen Utrecht, 2025</image:caption>
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      <image:caption>VOID, Hartmann Projects, Stuttgart, Germany, 2024</image:caption>
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      <image:caption>VOID, Hartmann Projects, Stuttgart, Germany, 2024</image:caption>
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      <image:caption>VOID, Hartmann Projects, Stuttgart, Germany, 2024</image:caption>
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      <image:caption>VOID, Hartmann Projects, Stuttgart, Germany, 2024</image:caption>
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      <image:caption>VOID, Hartmann Projects, Stuttgart, Germany, 2024</image:caption>
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      <image:caption>Nightcall - The Frankfurt Edition, Galerie-Peter-Sillem, Frankfurt am Main, Germany, 2024</image:caption>
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      <image:caption>Nightcall - The Frankfurt Edition, Galerie-Peter-Sillem, Frankfurt am Main, Germany, 2024</image:caption>
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      <image:caption>Nightcall - The Frankfurt Edition, Galerie-Peter-Sillem, Frankfurt am Main, Germany, 2024</image:caption>
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      <image:title>exhibition views</image:title>
      <image:caption>Nightcall - The Frankfurt Edition, Galerie-Peter-Sillem, Frankfurt am Main, Germany, 2024</image:caption>
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    <image:image>
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      <image:title>exhibition views</image:title>
      <image:caption>Nightcall - The Frankfurt Edition, Galerie-Peter-Sillem, Frankfurt am Main, Germany, 2024</image:caption>
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    <image:image>
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      <image:caption>Der Raum im Inneren, group show, 2024</image:caption>
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      <image:caption>Der Raum im Inneren, group show, 2024</image:caption>
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      <image:caption>Nightcall, Galerie Caroline O'Breen, 2024</image:caption>
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      <image:caption>Nightcall, Galerie Caroline O'Breen, 2024</image:caption>
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      <image:caption>Nightcall, Galerie Caroline O'Breen, 2024</image:caption>
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      <image:caption>Nightcall, Galerie Caroline O'Breen, 2024</image:caption>
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    <image:image>
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      <image:caption>Nightcall, Galerie Caroline O'Breen, 2024</image:caption>
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    <image:image>
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      <image:caption>Art Rotterdam 2024, Galerie Caroline O'Breen, booth 68</image:caption>
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      <image:caption>Art Rotterdam 2024, Galerie Caroline O'Breen, booth 68</image:caption>
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      <image:caption>Art + Book + Art, Galerie Caroline O'Breen, 2024</image:caption>
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      <image:caption>Just Like Escher, Escher in het Paleis, Den Haag, The Netherlands (photo: Gerrit Schreurs)</image:caption>
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      <image:caption>UNFAIR, artist-led art fair in the Westergasfabriek Amsterdam, the Netherlands</image:caption>
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      <image:caption>VOID, BlueKnowledge Art Collection's Art Space, Amsterdam, NL, 2023</image:caption>
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      <image:caption>VOID, BlueKnowledge Art Collection's Art Space, Amsterdam, NL, 2023</image:caption>
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      <image:caption>VOID, BlueKnowledge Art Collection's Art Space, Amsterdam, NL, 2023</image:caption>
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      <image:caption>VOID, BlueKnowledge Art Collection's Art Space, Amsterdam, NL, 2023</image:caption>
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      <image:caption>VOID, BlueKnowledge Art Collection's Art Space, Amsterdam, NL, 2023</image:caption>
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    <image:image>
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      <image:title>exhibition views</image:title>
      <image:caption>VOID, BlueKnowledge Art Collection's Art Space, Amsterdam, NL, 2023</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/8a4b5c75-8c15-4747-8c45-c9ac38e41b33/SatijnPanyigay_VerweyMuseumHaarlem_Exhibitionview_1_s.jpg</image:loc>
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      <image:caption>Twilight Zone (Verwey Museum Haarlem), Verwey Museum Haarlem, NL, 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/1694332679449-PI9QHV49W8TYELCO8W67/CACMeymac_C1-2023_048%2525C2%2525A9AurelienMole%252Bcopy.jpg</image:loc>
      <image:title>exhibition views</image:title>
      <image:caption>Pays-Bas, l’autre pays des beaux-arts, Centre D'art Contemporain de Meymac, France, 2023</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/af89457c-b267-4ced-8ef1-9c1c52366006/SatijnPanyigay_GaleriePeterSillem_Inland_01.jpg</image:loc>
      <image:title>exhibition views</image:title>
      <image:caption>Inland, Galerie-Peter-Sillem, Frankfurt am Main, Germany, 2023</image:caption>
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    <image:image>
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      <image:title>exhibition views</image:title>
      <image:caption>Inland, Galerie-Peter-Sillem, Frankfurt am Main, Germany, 2023</image:caption>
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    <image:image>
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      <image:title>exhibition views</image:title>
      <image:caption>Inland, Galerie-Peter-Sillem, Frankfurt am Main, Germany, 2023</image:caption>
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      <image:caption>Inland, Galerie-Peter-Sillem, Frankfurt am Main, Germany, 2023</image:caption>
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      <image:caption>MINIM.AL, iCoon, Hoek Van Holland, 2022</image:caption>
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      <image:caption>UNSEEN Photo Fair Amsterdam, Galerie Caroline O'Breen, 2022</image:caption>
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      <image:caption>UNSEEN Photo Fair Amsterdam, Galerie Caroline O'Breen, 2022</image:caption>
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      <image:title>press - Flor Linckens, cultural historian and freelancer, on Galleryviewer</image:title>
      <image:caption>‘Introspection in turbulent times’ Dutch photographer Satijn Panyigay teaches us to embrace melancholy and depression and to see the beauty of it. She photographed houses where a beloved pet has recently died, but also houses where a violent fire has just raged or other (often impersonal) spaces that radiate loneliness and sadness. Yet, these spaces tend to have an intense architectural beauty, which can have an almost abstract feel.</image:caption>
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      <image:title>press - Sven Schlijper-Karssenberg, art collector, on Galleryviewer</image:title>
      <image:caption>‘Ask an Art Collector..Sven Schlijper-Karssenberg’ Who are your favourite artists? Satijn Panyigay: We saw Satijn's work early on and fell in love with it. I bought a piece of work from her as an alternative engagement ring for my wife. We own several photos and artist books from Satijn, because she is one of the best photographers in the Netherlands.</image:caption>
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      <image:title>press - Maarten Moll, het Parool (2017, Dutch text only)</image:title>
      <image:caption>Duidelijk is te zien dat er een klok aan de wand heeft gehangen. De tijd heeft om de afdruk heen het behang verkleurd. Straks is ook het behang weg, of overgeschilderd, en herinnert niets meer aan degene die er woonde. Het is een intrigerende foto, die iets onnoemelijk triests heeft. Zo zijn er meer in de serie Behind Death’s Door van de Nederlands-Hongaarse fotografe Satijn Panyigay.  Panyigay fotografeerde voor de serie uit 2011 in huizen van mensen die kort daarvoor waren overleden. Ze deed dat terwijl het huis door een bedrijf werd ontruimd. Omdat de overledene geen familie meer had, of omdat familie daar geen tijd voor had, of ze niet geconfronteerd wilden worden met sporen van iemand die er niet meer is. En die sporen zijn er natuurlijk, dat laten de foto’s duidelijk zien. We zien een kast, half open. Een lege plank, een roede waar geen kleerhangers met overhemden of jurken meer aan hangen. Toch is het geen inkijkje in een leeg leven, want de kast zelf heeft ook geschiedenis. Waar is de kast gekocht? Wanneer? Heeft hij altijd op die plaatst gestaan? Wil niemand die kast? Waarom niet? Een bed met een kaal matras, een foeilelijke stoel met diverse kussentjes. Muren waar lijsten aan hebben gehangen. We zullen nooit weten wie in dat bed lagen, hoe in die stoel is gezeten, waar de levenden naar keken. Het zijn laatste sporen, geschiedenissen, verhalen. Misschien duikt de kast nog eens op in iemands herinnering, tot het voor altijd zal worden vergeten en wordt gewist door de tijd. Wat zeggen deze alledaagse spullen en voorwerpen in een al bijna ontruimd huis? Het is een hele andere kijk op de dood die Panyigay laat zien. Doodsfotografie zonder lichamen.</image:caption>
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      <image:title>press - Nathalie Maciesza, art historian and founder of de Kunstmeisjes</image:title>
      <image:caption>We see something very commonplace in this picture: a light where normally, advertising posters are displayed. By showing just the empty light, the photographer reveals a sense of beauty without the poster, creating a somewhat mysterious image. The strong contrast between light and dark really draws you towards the photograph. What you then see, can change by the day and depending on your mood. Perhaps one sees an unfulfilled, empty space. Or, as an alternative to ‘forced on us’ advertising, you might see a spotlight on your fantasy scene or a metaphorical light bulb shining through the dark. This photograph is fascinating in its simplicity - I would love to have it in my home.</image:caption>
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      <image:title>press - Rick Berends, philosopher (Dutch text only)</image:title>
      <image:caption>Een aftandse koelvitrine met grauwe stukken vlees. De stellage licht op voor een benauwend hekwerk. Daarachter een donker niets, een zwart, oneindig gat. Een vreemd stilleven dat opdoemt waar het leven het toneel allang verlaten heeft. Met stillevens kan een kunstenaar zijn behendigheid oefenen en tonen. Maar in dit stilleven voel ik geen aanwezigheid van de maker. Het is verlaten. Leeg. Maar ik word naar binnen getrokken. Het ruikt muf en voelt vochtig. Een zachte zoem bromt rond de stalen kast. Ik voel me vervreemd. Waar ben ik? Als ik me omdraai, zie ik dan iets? Is daar iets? Het beeld associeer ik met de wereld maar heeft zich daarvan los gemaakt. Het is een abstractie geworden. Staat op zichzelf. Een Ding an sich. Maar het wil dat niet verraden. Handgeschreven prijskaartjes wekken een suggestie van interactie en communicatie. Het hint naar menselijkheid, maar ik geloof het niet. Het is er een simulatie van. Hoe langer ik kijk, hoe meer Darab hús me in haar greep houdt. Zoals het vleeswaar en de vitrine zijn losgezongen van een winkel waar mensen daadwerkelijk zorg droegen voor producten, waar geld over de toonbank ging en praatjes werden gemaakt, zo voel ik me meer en meer losgezongen van de persoon die dagelijks werkt, doet, liefheeft, eet, lacht. De natuur is onverschillig. En hier zie je de mens en haar voortbrengselen als onderdeel van die onverschillige natuur. Een wezen dat doet en is op de automatische piloot zonder dit aan zichzelf te willen toegeven. Een wezen dat wil overleven, maar er ook iets van wil maken, ja zelfs zin zoekt. Tevergeefs. Maar dat baat niet, het is ok. Vaak roept kunst emoties op. Het vertedert, maakt boos of ontroert. Maar soms is het fijn als ze je losweekt van gevoel. Want gevoel is tijdelijk. En soms wil je niet tijdelijk zijn. Soms wil je voelen dat er meer is dan dat. Dat er iets is dat daarvan losstaat. Het oneindige of het lege, het eeuwige, het onophoudelijke of het niets. Dat voelen doet wat ik het liefst heb dat kunst doet. Het troost.</image:caption>
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      <image:title>press - Guus Sluiter, Brancheblad Uitvaartzorg, mei 2016, thema: jongeren</image:title>
      <image:caption>De dood boeit jongeren:  muzikanten, kunstenaars, fotografen. Veel willen dodenprofessional worden. Ze zijn welkom, want fris en fruitig. Maar er ligt wel een keurslijf klaar. Hoe bevecht je je eigen plek? Satijn Panyigay (toen 21) fotografeerde huizen die worden leeggeruimd. Je ziet sporen van een voorbij leven. Een leeg rekje tegen de muur. Afdrukken van planken. Gaatjes van schroeven waar ooit foto’s hingen. De bewoner is verdwenen, herinneringen glippen door de kieren. Straks worden de gaatjes gevuld. Een nieuw behang, een nieuwe laag verf. Kindergeluiden vullen de ruimte. Zo jong – en dan zo’n werk maken. Kwaliteit kent geen leeftijd. Dáár is je plek.</image:caption>
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      <image:title>press - Babs Bakels, Museum Tot Zover Amsterdam (2011)</image:title>
      <image:caption>The melancholic photoseries Behind Death’s Door shows the houses of recently deceased people of whom the relatives chose a specialized company to clear out their homes. Panyigay went along several times to investigate death more. The photos are hermetic, there is no contact with the outside world, which results in an oppresive atmosphere of loneliness and nostalgia. Trivial objects are the last remains of a passed life. Traces are being removed, a preview of the fading of memories. Eventually falling into absolute oblivion is the frightening fate of each individual. Eternity comes down to a constant movement of people who constantly die.</image:caption>
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    <image:image>
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      <image:title>work - Afterglow, 2019</image:title>
      <image:caption>Afterglow 02, 2019</image:caption>
    </image:image>
    <image:image>
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      <image:title>work - Afterglow, 2019</image:title>
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    <image:image>
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      <image:title>work - Afterglow, 2019</image:title>
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    </image:image>
    <image:image>
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      <image:title>work - Afterglow, 2019</image:title>
      <image:caption>Afterglow 05, 2019</image:caption>
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    <image:image>
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      <image:title>work - Afterglow, 2019</image:title>
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    </image:image>
    <image:image>
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      <image:title>work - Afterglow, 2019</image:title>
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    <image:image>
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    <image:image>
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    <image:image>
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    <image:image>
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    <image:image>
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      <image:title>work - (Living) room, 2019</image:title>
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    <image:image>
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      <image:title>work - (Living) room, 2019</image:title>
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      <image:title>work - (Living) room, 2019</image:title>
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    <image:image>
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      <image:title>work - (Living) room, 2019</image:title>
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    <image:image>
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      <image:title>work - (Living) room, 2019</image:title>
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    <image:image>
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      <image:title>work - (Living) room, 2019</image:title>
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    <image:image>
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      <image:title>work - (Living) room, 2019</image:title>
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      <image:title>work - (Living) room, 2019</image:title>
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    <image:image>
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      <image:title>work - (Living) room, 2019</image:title>
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      <image:title>work - (Living) room, 2019</image:title>
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      <image:title>work - (Living) room, 2019</image:title>
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    <image:image>
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      <image:title>work - (Living) room, 2019</image:title>
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      <image:caption>Levelek (Leaves)</image:caption>
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    <image:image>
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    <lastmod>2025-04-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/f53742f5-f0ed-4a07-9e8f-aa3006027953/SatijnPanyigay_FotografieVoorGoed_2023-lores.jpg</image:loc>
      <image:title>work - Various works, 2010 - present</image:title>
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    <image:image>
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      <image:title>work - Various works, 2010 - present</image:title>
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    <image:image>
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      <image:title>work - Various works, 2010 - present</image:title>
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    <image:image>
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      <image:title>work - Various works, 2010 - present</image:title>
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    <image:image>
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      <image:title>work - Various works, 2010 - present</image:title>
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      <image:title>work - Various works, 2010 - present</image:title>
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      <image:title>work - Various works, 2010 - present</image:title>
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    <image:image>
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      <image:title>work - Various works, 2010 - present</image:title>
      <image:caption>Amaryllis Leaves (2012)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/3da9a5b2-b6c3-49c2-aadd-e95cf1dd1ac2/SatijnPanyigay_2012_ParadiseWasteland_02.jpg</image:loc>
      <image:title>work - Various works, 2010 - present</image:title>
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    <image:image>
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      <image:title>work - Various works, 2010 - present</image:title>
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      <image:title>work - Various works, 2010 - present</image:title>
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      <image:title>work - Behind Death's Door, 2011</image:title>
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      <image:title>work - Behind Death's Door, 2011</image:title>
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      <image:title>work - Behind Death's Door, 2011</image:title>
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      <image:title>work - Behind Death's Door, 2011</image:title>
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      <image:title>work - Behind Death's Door, 2011</image:title>
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      <image:title>work - Behind Death's Door, 2011</image:title>
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      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/df9487f1-a7e6-4fc1-acf7-6192baff79f8/SatijnPanyigay_UBSingel_2025_03.jpg</image:loc>
      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/bac4fff5-d2fa-4f72-a0bf-a11cda3b04fb/SatijnPanyigay_UBSingel_2025_18.jpg</image:loc>
      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/b4aa9642-6d49-42cf-9ed4-1842cb6fe6fb/SatijnPanyigay_UBSingel_2025_04.jpg</image:loc>
      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/5dad8853-ec63-4696-b66d-e23c22b65c79/SatijnPanyigay_UBSingel_2025_21.jpg</image:loc>
      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/018f2e97-9803-4cfd-aa8b-4bb1498ce091/SatijnPanyigay_UBSingel_2025_05.jpg</image:loc>
      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/7be0c3a5-84b2-4480-bf28-dcd9c38b085b/SatijnPanyigay_UBSingel_2025_22.jpg</image:loc>
      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/c378d506-38ec-4ef0-93e8-05f5cae3d9b8/SatijnPanyigay_UBSingel_2025_06.jpg</image:loc>
      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/6921f211-0c74-4a4b-9430-3062289ef7f4/SatijnPanyigay_UBSingel_2025_20.jpg</image:loc>
      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/c651c2a9-d74c-4254-b697-09f3a5699319/SatijnPanyigay_UBSingel_2025_07.jpg</image:loc>
      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/438b3001-c6de-41b6-8f36-a1da0221e0bb/SatijnPanyigay_UBSingel_2025_08.jpg</image:loc>
      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fd1f58abd769522bedf7071/1321c259-64ef-4068-a491-adb697d91454/SatijnPanyigay_UBSingel_2025_09.jpg</image:loc>
      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
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      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
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      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
    </image:image>
    <image:image>
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      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
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    <image:image>
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    <image:image>
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    <image:image>
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    <image:image>
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      <image:title>commissioned - Universiteitsbibliotheek van Amsterdam (UBA), 2025</image:title>
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