Whether shooting interior or exterior environments, Satijn Panyigay remains unwaveringly concerned with the internal machinations of the mind. Graduating with a series in which she photographed the houses of deceased people, Panyigay has developed her interest in absent spaces in No Room for Light, a series she produced last year. In this body of work, Panyigay shifts her interest in a more theoretical direction so that a contrast is set up between shadowy corners of anonymous rooms, in which there is “almost nothing to look at”.

No room for light
2014

Pigment print on cotton paper, framed with museum glass or matte acrylic

Various sizes, edition 6+2AP per size

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